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Now That's What I Call The 80s

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Deniece Williams ‘Lets Hear It For The Boy’ from ‘Footloose’, and the aptly titled ‘(I’ve had) The Time Of My Life from ‘Dirty Dancing’. The idea is clearly to spotlight hits from the decade that enjoyed significant success Stateside, some of which did well in the UK as well, but others that didn’t. Malcolm McLaren rounds off the disc with his celebration of the house-ballroom culture of New York… and two superstar collaborations, ‘Sidewalk Talk’ from Jellybean – written by and featuring vocal contributions from Madonna – and ‘Somebody’s Watching Me’ – a huge hit by Rockwell featuring guest vocals from Michael Jackson. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

Devotion and in 1984 remixed Sister Sledge’s ‘Lost In Music’ which became a massive hit again and is included here in its full 12” version. We carry a broad range of CDs and vinyl (7”/12” singles and LPs) and specialise in indie, alternative, rock, punk, metal plus a few other genres. Change country: -Select- Albania Algeria American Samoa Andorra Angola Anguilla Antigua and Barbuda Argentina Armenia Aruba Azerbaijan Republic Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Brazil British Virgin Islands Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Islands Cayman Islands Central African Republic Chad Chile China Colombia Comoros Cook Islands Costa Rica Cyprus Czech Republic Côte d'Ivoire (Ivory Coast) Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands (Islas Malvinas) Fiji Finland France French Guiana French Polynesia Gabon Republic Gambia Georgia Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Honduras Hong Kong Hungary Iceland India Indonesia Iraq Ireland Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Liechtenstein Lithuania Luxembourg Macau Macedonia Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Namibia Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norway Oman Pakistan Palau Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Puerto Rico Qatar Republic of Croatia Republic of the Congo Reunion Romania Rwanda Saint Helena Saint Kitts-Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands South Africa South Korea Spain Sri Lanka Suriname Swaziland Sweden Taiwan Tajikistan Tanzania Thailand Togo Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda United Arab Emirates United Kingdom Uruguay Uzbekistan Vanuatu Vatican City State Venezuela Vietnam Virgin Islands (U. For items that are dispatched using our standard service, we ask that you wait 14 days from the date of dispatch before reporting any items as undelivered. Finance is provided by PayPal Credit (a trading name of PayPal UK Ltd, Whittaker House, Whittaker Avenue, Richmond-Upon-Thames, Surrey, United Kingdom, TW9 1EH).You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. Our third disc starts in high gear with the defining remix of ‘Lost In Music’ by Sister Sledge – re-visioned for the 1984 dancefloor five years after they produced the original version by Bernard Edwards and Nile Rodgers of Chic.

Taking influences from both genres, Expose and Company B enjoyed ‘freestyle’ hits and DJ, remixer and producer Jellybean had a string of hits including ‘Just A Mirage’, and Whitney Houston became a global superstar. fm, compilation album tracks appear under the name of Various Artists erroneously because the individual artist is not listed in the album's ID3 information. Certain items can take longer to source than the estimated week, particularly during busy trading periods and may take longer to arrive at our warehouse.The 'Product' page will show the most up to date info we have with regards to the item and its release date, but this information is subject to change so check in with us if you have any questions. Following the height of its’ popularity in the late 1970s, Disco in the early 1980s retained the irresistible melodies and beat but became primarily synth driven. Deniece Williams ‘Let’s Hear It For The Boy’ from ‘Footloose’, and the aptly titled ‘(I’ve had) The Time Of My Life from ‘Dirty Dancing’. The Police’s remix of ‘Don’t Stand So Close To Me’, alongside perfect pop from a-ha, Holly Johnson, Kim Wilde, Red Box, and the Latin Rascals remix of Duran Duran’s ‘Notorious’, all feature on disc 1. S. hits - whilst some were big hits on both sides of the Atlantic, we shine a spotlight on huge hits from America at the time, that have gone on to be as legendary in the UK as they were in the US.

tracks across 4 CDs, featuring an amazing selection of the original 12” versions that represent the era – from huge pop chart hits to dancefloor classics, including some rare tracks on CD. Sylvester… and we’ve also included some huge club tracks from Barbara Pennington and Sheryl Lee Ralph, along with the catchiest Dance-Pop from London Boys and Laura Branigan. The superb synth-pop of ‘Love Kills’ from Freddie Mercury opens the album, followed by the special dance mix of Eurythmics’ ‘There Must Be An Angel (Playing With My Heart)’.

and continuing with a run of some of most memorable hits of the decade from Kenny Loggins with ‘Footloose’, the massive number one ‘Uptown Girl’ from Billy Joel and the triumphant ‘I’m Still Standing’ from Elton John. The term Various Artists is used in the record industry when numerous singers and musicians collaborate on a song or collection of songs. All 32 tracks are present and correct, except for INXS’ ‘Mystify’, which hasn’t been included due to licensing restrictions. The album debuted at number 11 on the Billboard 200 album chart, selling just under 34,000 copies in its first week.

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