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Naked Lunch: The Restored Text

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Ploog, Jürgen (2009). "A Bombshell in Rhizomatic Slow Motion: The Reception of Naked Lunch in Germany". In Harris, Oliver; MacFadyen, Ian (eds.). Naked Lunch @ 50: Anniversary Essays. Carbondale: Southern Illinois University Press. pp.127–128. ISBN 978-0-8093-2915-1. In his review for The Village Voice, J. Hoberman wrote, "Cronenberg has done a remarkable thing. He hasn't just created a mainstream Burroughs on something approximating Burroughs's terms, he's made a portrait of an American writer". [27] Jonathan Rosenbaum in his review for the Chicago Reader wrote, "David Cronenberg's highly transgressive and subjective film adaptation of Naked Lunch ... may well be the most troubling and ravishing head movie since Eraserhead. It is also fundamentally a film about writing – even the film about writing". [28] a b McConnell, Frank (1991). "William Burroughs and the Literature of Addiction". In Skerl, Jennie; Lydenberg, Robin (eds.). William S. Burroughs At the Front: Critical Reception, 1959-1989. Carbondale and Edwardsville: Southern Illinois University Press. p.99. ISBN 0-8093-1586-6. This year marks the 50th anniversary of the original publication of Naked Lunch, by William S Burroughs. Given the book's ongoing influence it goes without saying that this is a significant milestone. However, when the book first appeared in Paris in 1959 (mistitled as The Naked Lunch) on the small Olympia Press, it had little impact. Because of this, perhaps a more important anniversary is that of the novel's first US publication in 1962. For that's when Burroughs's controversial drug-and-sex-fuelled classic truly burst into the limelight, both because it was recognised by large numbers of critics and readers as a breakthrough piece of literature and also because of a series of obscenity trials it inspired. So many people define the world (and most of fiction) through a vague interpretation of Platonic realism. Where everything we accept in the world is a universal truth. And anything that challenges what we accept is heresy. We mistake traditionalism for reality. Isn't that cute?

Timothy S. Murphy, Wising up the marks. University of California Press, 1997. p. 67 ISBN 0-520-20951-6 Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearance William Seward Burroughs II, (also known by his pen name William Lee) was an American novelist, short story writer, essayist, painter, and spoken word performer. a b Seymour, Gene (5 January 1992). "MOVIES: Out to Lunch With the Guru of Gross-Out: David Cronenberg says the only way he could be faithful to William S. Burroughs' celebrated 'Naked Lunch' on film was to betray it". Los Angeles Times. Archived from the original on 10 April 2017 . Retrieved 9 April 2017. There, laid out before my ignorant eyes, were multitudinous arcane references to the mysterious paraphernalia of heroin addiction.Griffith-Jones set this question to the court: “would you approve of your young sons, young daughters—because girls can read as well as boys—reading this book? Is it a book that you would have lying around in your own house? Is it a book that you would even wish your wife or your servants to read?” (This would prove a grave misstep—it was evocative of a time and set of values too far past.) Rosenbaum, Jonathan (17 January 1992). "Sex and Drugs and Death and Writing". Chicago Reader . Retrieved 25 November 2009. The Naked Lunch (Paris, 1959; U.S. title, Naked Lunch, 1962; film 1991) was completed after his treatment for drug addiction. All forms of addiction, according to Burroughs, are counterproductive for writing, and the only gain to his own work from his 15 years as an… Read More

Newsweek 's David Ansen wrote, "Obviously this is not everybody's cup of weird tea: you must have a taste for the esthetics of disgust. For those up to the dare, it's one clammily compelling movie". [25] Entertainment Weekly gave the film a "B+" rating with Owen Gleiberman praising Weller's performance: "Peter Weller, the poker-faced star of RoboCop, greets all of the hallucinogenic weirdness with a doleful, matter-of-fact deadpan that grows more likable as the movie goes on. The actor's steely robostare has never been more compelling. By the end, he has turned Burroughs' stone-cold protagonist – a man with no feelings – into a mordantly touching hero". [26]The book was originally published with the title The Naked Lunch in Paris in July 1959 by Olympia Press. Because of US obscenity laws, [8] a complete American edition (by Grove Press) did not follow until 1962. It was titled Naked Lunch and was substantially different from the Olympia Press edition because it was based on an earlier 1958 manuscript in Allen Ginsberg's possession. [9] The definite article "the" in the title was never intended by the author, but added by the editors of the Olympia Press 1959 edition. [10] Nonetheless The Naked Lunch remained the title used for the 1968 and 1974 Corgi Books editions, and the novel is often known by the alternative name, especially in the UK where these editions circulated. The only other censorship action against the book outside the State of Massachusetts occurred in Los Angeles, where the novel was cleared of obscenity charges at a trial in 1965." The study of thinking machines teaches us more about the brain than we can learn by introspective methods. Western man is externalizing himself in the form of gadgets.” Burroughs writes like a doomed angel, and the strangled strains of the golden voice of this Man With the Golden Arm catch our hearts with their angry passion. Extremely controversial in both its subject matter and its "zealously obscene" [4] language (something Burroughs recognized and intended), the book was banned in Boston and Los Angeles in the United States, [46] [47] and several European publishers were harassed. [48] In 1962, the German translation of the novel intentionally left some of the most explicit sections as untranslated English. [49]

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